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Our latest ramblings … enjoy!
Our latest ramblings … enjoy!
Woden, Canberra, Australia
by appointment
PLEASE NOTE OUR LANDLINE HAS NOW BEEN OFFICIALLY RETIRED!
Robb Shaw-Velzen ACS +61 414 363 194
Georgina Jenkins +61 414 486 084
There is a distinct difference between colour correction and colour grading. Find out more here…
The drone industry has exploded in just a few short years. It’s taken a while for laws to catch up, but after a string of incidents in Australia and around the world, most recently at London’s Gatwick and Heathrow Airports where thousands of flights were disrupted, Australia’s Civil Aviation Safety Authority (CASA ) is now regulating the sector much more stringently to ensure public safety.
In celebration of our 20th birthday, we’re going back into the archives to reminisce about some of our highlights from the past two decades. This one’s a cracker! In 2007 By George Studios beat out production companies in Melbourne and Cairns to secure a 16 month contract…
ROBB SHAW-VELZEN ACS ON COLOUR GRADING WITH DAVINCI RESOLVE
/in News /by Robb Shaw-Velzen ACSCongratulations to Johnny Milner on winning Best Director at the 2019 Canberra Short Film Festival for his short film The Chosen Vessel.
I was fortunate enough to grade this wonderful film. Shot by Michael Ortiz, primarily in vLog on a Panasonic GH4, I had a lot of latitude to take the shots into a darker, more morbid space in line with Johnny’s vision.
There is a distinct difference between colour correction and colour grading. You can colour correct a project with a standard LUT (Lookup Table) to give you, say, an Alexa look. But at BY GEORGE STUDIOS, using DaVinci Resolve to colour grade gives us the flexibility to customise a look that adds to the aesthetics and tone of each individual project. It’s all about what serves the story and the Director’s vision, sometimes a subtle touch, sometimes a bold statement. Colour grading is another crucial part of the creative process I love being part of.
BY GEORGE STUDIOS certified by CASA to fly drones commercially
/in News /by Robb Shaw-Velzen ACSRecently, I cleared my calendar for a week to study with FPV Australia for my Remote Pilot’s Licence; Aeronautical Radio Operators Certificate; and Remotely Piloted Aircraft Operator’s Certificate.
Why did I do that? Anyone can fly a drone, can’t they? Not exactly.
The drone industry has exploded in just a few short years.
It’s taken a while for laws to catch up, but after a string of incidents in Australia and around the world, most recently at London’s Gatwick and Heathrow Airports where thousands of flights were disrupted, Australia’s Civil Aviation Safety Authority (CASA ) is now regulating the sector much more stringently to ensure public safety.
There are exclusion zones and no-fly zones. There are rules about how high drones can fly and how far away from buildings and people they need to be.
Coming into effect November 2019 is the requirement for ALL drones, whether they be for recreational or commercial use, to be registered with CASA.
Commercial drone use
If someone is being paid to fly a drone, they must comply with the regulations for commercial drone use which CASA already has in place.
There are three steps to becoming fully certified for commercial drone use in Australia and those who haven’t taken them – and charge for their services – are operating illegally.
1. RePL (Remote Pilot’s Licence)
An RePL allows a pilot to fly a drone larger than 2kg OR for commercial operations. It also provides additional permissions above the drone safety rules that apply to recreational users. Those with no aviation experience need to find a certified training provider, like FPV Australia, and complete the required theory and practical training. RePLs do not expire.
2. AROC (Aeronautical Radio Operator’s Certificate)
To fly in controlled airspace or beyond visual line of sight a pilot also needs an AROC and an aeronautical radio. This enables them to “watch and listen” and if necessary transmit on an aeronautical radio frequency. AROCs do not expire.
3. ReOC (Remotely Piloted Aircraft Operator’s Certificate)
To fly commercially and independently, a pilot must hold a ReOC. If they don’t, they can only be commissioned to fly by a ReOC holder. Your first ReOC is valid for 12 months with renewal required every three years at a cost of $480.
The benefits of using a certified operator
Using a certified operator not only means you get to fly in areas not authorised for recreational pilots, it also means that prior to the shoot you can rest assured your pilot will:
This gives you peace of mind that you will not face any fines (which could be up to $10,500) or be criminally liable if something goes wrong.
I am pleased to report that as I passed all my tests, BY GEORGE STUDIOS will soon be included in the Remote Operators Certificate Holders Directory.
Standard public liability insurance excludes drones
BY GEORGE STUDIOS has extended public liability insurance to include drones, as this is not covered under a standard policy.
Contact us
BY GEORGE STUDIOS is CASA certified and fully insured for your next drone shoot. Email to discuss how we can take your production to the next level.
Robb Shaw-Velzen ACS
Canberra Times, Panorama, March 2010
/in Cinematography, News /by JonathanIn celebration of our 20th birthday, we’re going back into the archives to reminisce about some of our highlights from the past two decades. This one’s a cracker! In 2007 By George Studios beat out production companies in Melbourne and Cairns to secure a 16 month contract…
This show is UnREAL
/in TV Show Review /by JonathanMy latest binge-fest is UnREAL, an outrageous and devilishly moreish drama that spills the guts on the behind-the-scenes of a Bachelor-type reality show called ‘Everlasting’. In a cool kinda life imitating art imitating life imitating art scenario, Co-Creator Sarah Gertrude Shapiro is actually a former Bachelor producer.
I have to admit, The Bachelor is a guilty pleasure of mine. Catty women hardened by heartbreak with their biological timebombs ticking, pitted against heart-on-their-sleeve softies, scratching each other’s eyes out to get their hands on that mayan. It’s not reality at all, it’s carefully cast and orchestrated drama that’s so damn awkward it’s actually comedy. It’s so bad, it’s good! Now, I am the first to acknowledge it is pretty far off the mark when it comes the Bechdel test, which asks if a work features at least two women who talk to each other …. about something other than a man. I’m sorry, but there you have it.
So of course, what first attracted me to UnREAL was my unashamed, shallow appreciation of the reality genre. But the more I became addicted, the more I began to realise there was so much more to it. This drama about reality actually turns the whole trope on its head. Here’s a show where the main characters, two female producers, unstable Rachel (Shiri Appleby) and her fierce mother-figure boss Quinn, despite being complete biatches who know no bounds when it comes to manipulating their naïve contestants in the quest for ratings and glory, are not only real and relatable, they’re aspirational. Goddamnit we want to be Quinn King (yes that is her name!) so fearlessly portrayed by Constance Zimmer – perfectly cast off the back of her impeccable characterisation of ballsy Hollywood producer Dana Gordon in Entourage.
The shocking language Quinn projectile vomits is not what we’re used to hearing from female characters: “I’m going balls deep in this b*tch!” In an industry dominated by men she is, as she so brashly declares, “Queen of the Freakin’ Fairies!” But of course, and what endears her to us all the more, even she is screwed over by the male establishment and has to claw her way back. As she so aptly puts it “If I was a man they wouldn’t be doing this to me. I’d be wearing sweatpants, scratching my nuts and boning 22 year olds.”
Which brings me back to the Bechdel test. Whilst the Bachelor fails it miserably, UnREAL absolutely smashes it out of the ballpark. Yes, there are male love interests, but they come and go. They are not the spine of this story. These two independent women are navigating their relationships and their careers on their own terms. The only thing that is truly everlasting in UnREAL is the imperfect and severely tested but unshakeable bond between these two women. Step aside bromance, this a trope unto itself known as womance. Rachel and Quinn get each other, they sustain each other, and yes they actually love each other. And as women with best friends know, that is real life.
UnREAL Series 3 which I am just about to devour, looks to be taking things to a whole new level with the series’ first bachelorette, Serena, played by Caitlin Fitzgerald who was brilliant as the scorned wife in another fav Masters of Sex.
And holy smokes, I just found out … Series 4 is coming! As Quinn says “OK, tits up everybody, let’s do this!”
…by George